The Elegy

I assumed an elegy was a lament for the dead; a sermon or poem to recognize the unique loss and the tragedy of permanent absence. I was wrong! (Well, and also right.) Early definitions of elegy described a certain form. Rhyming couplets in a certain rhythmic pattern. Elegies from the classical era might be about death but could also be erotic or tell a tale of myth.

Only when the English started writing elegiac poetry did it become closely associated with mourning.

In the 17th century some English poets still wrote elegies in the broadest sense. It looks like it was after the English Civil Wars and the Restoration that the English elegy became almost exclusively about commemorating death or tragedy.

Just as Horace Walpole’s The Castle of Otranto was a pivotal point in the development of the Gothic, so was Thomas Gray’s Elegy Written in a Country Churchyard.

Coincidentally, Gray and Walpole were close friends, touring Europe together for a couple of years. More about their relationship in a future post.

The boast of heraldry, the pomp of pow’r,
And all that beauty, all that wealth e’er gave,
Awaits alike th’ inevitable hour.
The paths of glory lead but to the grave.

excerpt from Elegy Written in a Country Churchyard by Thomas Gray.

Democritus, Jr.

In an earlier post I mentioned the motif of Democritus as the laughing philosopher and Heraclitus as the weeping philosopher. Reading about the melancholy English poetry of the 18th century I was reminded of Robert Burton’s use of Democritus in Anatomy of Melancholy (published in 1621). Burton, a Democritus fan, wrote his work under the pseudonym Democritus, Jr. However, he sees Democritus as melancholic rather than mirthful (though he does note that Democritus “laugh[s] heartily at such variety of ridiculous objects” he sees in town). So, perhaps, melancholy AND mirthful.

Here’s Burton’s description of Democritus, lightly edited for readability.

“Democritus, as he is described by Hippocrates and Laertius, was a little wearish old man, very melancholy by nature, averse from company in his latter days, and much given to solitariness, a famous philosopher in his age, coaevus [contemporary] with Socrates, wholly addicted to his studies at the last, and to a private life: wrote many excellent works, a great divine, according to the divinity of those times, an expert physician, a politician, an excellent mathematician, as Diacosmus and the rest of his works do witness.

“He was much delighted with the studies of husbandry, saith Columella, and often I find him cited by Constantinus and others treating of that subject. He knew the natures, differences of all beasts, plants, fishes, birds; and, as some say, could understand the tunes and voices of them. In a word, he was omnifariam doctus, a general scholar, a great student; and to the intent he might better contemplate, I find it related by some, that he put out his eyes, and was in his old age voluntarily blind, yet saw more than all Greece besides, and writ of every subject, Nihil in toto opificio naturae, de quo non scripsit [Google translate: There is nothing in the whole work of nature of which he has not written].

“A man of an excellent wit, profound conceit; and to attain knowledge the better in his younger years, he travelled to Egypt and Athens, to confer with learned men, “admired of some, despised of others.” After a wandering life, he settled at Abdera, a town in Thrace, and was sent for thither to be their lawmaker, recorder, or town-clerk, as some will; or as others, he was there bred and born. Howsoever it was, there he lived at last in a garden in the suburbs, wholly betaking himself to his studies and a private life, “saving that sometimes he would walk down to the haven,” “and laugh heartily at such variety of ridiculous objects, which there he saw.”

“Such a one was Democritus.”

Reading this reminds me of a genre of poetry I learned about in my recent reading. The “retirement” poem. These are works yearning for a quiet semi-rural life spent contemplating nature, pursuing scholarly interests, mostly in solitude but with a few good friends nearby. There are many variations of this trope, mostly restating something Martial wrote sometime in the first century CE.

The things that make a life of happiness,
most delightful Martial, are these:
property not produced by labour, but bequeathed;
a field that is not unyielding, a perennial fire;
never a lawsuit, a toga rarely worn, a mind at peace;
the strength of a gentleman, a healthy body;
sensible candour, well-matched friends;
easy company, a table without ornament;
a night not drunken, but free from cares;
a bed not sorrowful, but nevertheless chaste;
sleep, so as to make the night short:
wish to be what you are, and prefer nothing;
do not fear the final day, and do not long for it.

Sunday Spectacle: The Big Here and the Long Now (19Feb2017)

BE big HERE long NOW: The onslaught is meant to induce exhaustion. Exhaustion leads to capitulation. Lift your eyes. Get outside. Put the screen away. Cultivate your garden. The title of this week’s Sunday Spectacle comes from a Brian Eno essay. In this essay Eno muses on different cultural attitudes about neighborhood. Those constrained to just their apartment or condo or house live in the ‘small here.’ Those who walk around their neighborhood and use its parks and walk or bike to the local pub or grocery store, live in a larger here. Similarly, the short now is today, tomorrow, this week. The long now is this century, this millennium. Don’t forget to step away from the small here and short now and into the big here and long now occasionally. You might even want to set a timer to remind yourself. What do you know about where you are? Take this quiz to find out.

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PRETTY PICTURES: I love my screen saver. Every time I see an image I like I copy it into a folder and those images rotate randomly as my screen saver. I’m going to be pulling a lot off the Metropolitan Museum of Art since they just dropped 375,000 of their public domain works onto the internet. You can search their collection with this link.

Figure in Hammock, Florida by John Singer Sargent

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STORY: My story is moving along. I haven’t fallen behind yet, but I also haven’t been editing as much as I need to. I don’t know if learning how to tell stories the Pixar way will influence what I’m working on right now, but it won’t hurt to hear what they have to say. I’ll at least look through the storytelling segment.

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MOON: I’ve been pretty good in my ongoing effort to be more in tune with the moon. I grab images of the moon when I’m out and it’s visible. But, nothing I can do compares to these playful images by Laurent Laveder.

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A POEM: That’s it for this week. Not much, and nothing in my head that prompts an editorial, so I’ll close with this from Matthew Arnold.

Dover Beach

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

More Poetry! Let America Be America Again

Langston Hughes seems particularly timeless this morning.

Let America Be America Again
by Langston Hughes

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!

More Poetry! Destruction by Joanne Kyger

Destruction by Joanne Kyger

First of all do you remember the way a bear goes through
a cabin when nobody is home? He goes through
the front door. I mean he really goes through it. Then
he takes the cupboard off the wall and eats a can of lard.

He eats all the apples, limes, dates, bottled decaffeinated
coffee, and 35 pounds of granola. The asparagus soup cans
fall to the floor. Yum! He chomps up Norwegian crackers
stashed for the winter. And the bouillon, salt, pepper,
paprika, garlic, onions, potatoes.

He rips the Green Tara
poster from the wall. Tries the Coleman Mustard. Spills
the ink, tracks in the flour. Goes up stairs and takes
a shit. Rips open the water bed, eats the incense and
drinks the perfume. Knocks over the Japanese tansu
and the Persian miniature of a man on horseback watching
a woman bathing.

Knocks Shelter, Whole Earth Catalogue,
Planet Drum, Northern Mists, Truck Tracks, and
Women’s Sports into the oozing water bed mess.

He goes
down stairs and out the back wall. He keeps on going
for a long way and finds a good cave to sleep it all off.
Luckily he ate the whole medicine cabinet, including stash
of LSD, Peyote, Psilocybin, Amanita, Benzedrine, Valium
and aspirin.

More Joanne Kyger here.

More Poetry!: For the Anniversary of My Death by W. S. Merwin

I think poetry makes the world a better place. To this end I occasionally post a poem because we all need More Poetry!

For the Anniversary of My Death by W. S. Merwin

Every year without knowing it I have passed the day
When the last fires will wave to me
And the silence will set out
Tireless traveler
Like the beam of a lightless star

Then I will no longer
Find myself in life as in a strange garment
Surprised at the earth
And the love of one woman
And the shamelessness of men
As today writing after three days of rain
Hearing the wren sing and the falling cease
And bowing not knowing to what