Valancourt Books

Despite the quantity of titles published, Gothic novels of 1790-1820 era are scarce. Valancourt Books is currently the best go-to for this particular niche.

In addition to publishing the list of “horrid novels” mentioned by Jane Austen in Northanger Abbey, they also publish a representative list of Minerva Press titles (I count twenty-two).

Valancourt’s whole catalog is worth checking out if you’re interested in the following:

  • Gothic & Romantic
  • Victorian & Edwardian
  • Literary Fiction
  • Vintage Thrills and Chills
  • Horror & Science Fiction
  • Rediscovered LGBT Literature

Arno Press went through a phase of publishing novels from this original Gothic (OG!) era in the 1970s. These were published for the library market and many are still available through interlibrary loan. On the open market, though, they can get kind of pricey.

Broadview Press is another strong contemporary source for some of the early Gothics. (Though these can be pricey.)

My current less-than-methodical pursuit has me reading a 1970s paperback with the traditional lady fleeing the spooky house cover written by Gil Brewer. Brewer interests me because he was a local writer and much of the crime fiction he wrote under his real name takes place in the Tampa/St. Pete/Clearwater metropolitan area. Some of his crime fiction work is quite good.

He wrote some Gothics in the early 1970s under the pseudonym Elaine Evans.

“The mansion had been built more than a hundred years ago by Brady Holloway, who had made his fortune in Pennsylvania before moving to the Louisiana bayou country. Brady was known as a demon, and his rages were infamous throughout the countryside. When he fell in love with the beautiful Charlene, some hoped that he would settle down. But instead his raging way of life continued — until Charlene was found brutally murdered. Shocked, Brady Holloway converted his entire fortune –$750,000 — into gold, and disappeared from the world. Now, more than a hundred years later, another beautiful young woman was coming to the mansion renamed Malpoindre — Evil Dawn — after Charlene’s murder. Would Kirsten Holloway, too, meet her doom on these haunted grounds?”

I just finished a scholarly work about the Gothic paperbacks of the 1960s/1970s. It wasn’t that great. The next on my TBR pile will take me back to Walpolian England. And after Black Autumn I’ll probably turn to The Graveyard School.

“The poetry of the Graveyard School—gloomy meditations on mortality, often composed in churchyards—was immensely popular in 18th-century England and was an important forerunner of the Romantic period and a major influence on the development of the Gothic novel. Yet, despite the unquestioned significance of the Graveyard Poets, critical attention has been scant, and until now there has been no anthology of their writings.”

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